By Armond White What’s derisive in the American title A Pig Across Paris (now playing at Film Forum) drives home the bitterness hidden in the original French title La Traversee de Paris (Crossing Paris). This 1956 release hasn’t been shown in the U.S. in more than 50 years probably because …
How Fast & Furious 6 crushes Iron Man 3 By Armond White The cynicism that makes Iron Man 3 so lousy is defied by the good-time camaraderie of Fast & Furious 6. Dominic Toretto and Brian O’Connor (Vin Diesel and Paul Walker) are more likable than Robert Downey’s snarky Tony …
By Armond White Frances Ha runs a very long 84 minutes. It offers an obnoxiously self-satisfied portrait of a young white New Yorker–played by Greta Gerwig–running out her parent’s stipend, roommating with other New York hipsters, sometimes skipping the pond to Paris, all the time pursuing her goal to be …
By Armond White Julianne Moore has unintentionally foundered her acting career in insufferable films like Savage Beauty, HBO’s Game Change, The Kids Are Alright, Crazy Stupid Love, Chloe, Blindness, Children of Men, I’m Not There, Freedomland, Hannibal, The Hours–why go further? It’s been a long time since Moore challenged Meryl …
By Armond White Frances Ha runs a very long 84 minutes. It offers an obnoxiously self-satisfied portrait of a young white New Yorker–played by Greta Gerwig–running out her parent’s stipend, roommating with other New York hipsters, sometimes skipping the pond to Paris, all the time pursuing her goal to be …
By Armond White The ad campaign for Baz Luhrmann’s The Great Gatsby is pretty snazzy, the movie itself is a mess. The poster’s anachronistic Art Deco silver-gold letters on a black grid evoke the chrome of shiny old Dusenbergs plus the velvet casing of jewelry boxes. It’s about luxury and …
By Armond White Why waste spleen on Michael Bay? He’s a real visionary–perhaps mindless in some way (he‘s never bothered filming a good script), but Transformers 2: Revenge of the Fallen is more proof he has a great eye for scale and a gift for visceral amazement. Bay’s ability to …
By Armond White Michael Bay sees like an ad-man gone wild— glorifying everything–a vision that corresponds to the age’s consumerist sensibility: greed and the need for speed. In Pain & Gain this style—and it is a genuine style, not fake flashiness like Trance or Side Effects—expresses the lusty and acquisitive …
By Armond White The worst Steven Spielberg production ever is, without doubt, his Obama homage, Steven Spielberg’s Obama. Unlike his disingenuous Obama-in-disguise campaign feature film, Lincoln, this two-minute satirical short looks artless and slapdash; it was made for last weekend’s White House Correspondents’ Dinner–an annual event for fatcats that contradicts …
By Armond White Unmistakably Pal Sverre Hagan’s appearance in Kon-Tiki as Norwegian explorer Thor Heyedahl is modeled after Peter O’Toole’s T.E. Lawrence in Lawrence of Arabia. Not just tall, blue-eyed with burnished blond hair, Hagan also conveys obsessive determination like O’Toole’s Lawrence, making Heyerdahl’s decision to build a balsa-wood raft …
