‘The Monuments Men,’ reviewed by Marshall Fine

HollywoodandFine.com Having been mentioned as an Oscar contender for 2013, George Clooney’s “The Monuments Men” was abruptly bumped from awards season to this week because, according to the press release, Clooney needed more time to finish it. So its release was moved to February, a month whose releases are seldom …

‘Tim’s Vermeer,’ reviewed by Marshall Fine

HollywoodandFine.com Penn and Teller’s “Tim’s Vermeer” is like a cinematic magic trick, one that unveils itself over the course of roughly 90 minutes – and encompasses the years it took Tim Jenison to work the illusion. Except it’s not an illusion. Jenison is an inventor who made his fortune creating …

‘At Middleton,’ reviewed by Marshall Fine

HollywoodandFine.com Adam Rodgers’ “At Middleton” is that rarity: a romantic comedy that manages to surprise by subverting the formula and coming up with something fresh. Rodgers and cowriter Glenn German create two pairs of opposites, then mix and match them in a story about parents taking their children to tour …

‘Hank: Five Years from the Brink,’ reviewed by Marshall Fine

HollywoodandFine.com Almost  from the moment the economy collapsed during the 2008 presidential campaign, there has been a war to control the narrative of what led to the disaster – nearly a catastrophe – that almost brought down the nation’s (and the world’s) economy. One of the earliest was Charles Ferguson’s …

‘Visitors,’ reviewed by Marshall Fine

HollywoodandFine.com Godfrey Reggio makes the kind of movies I think Terrence Malick longs to make. While Malick has already rejected story and plot, as well as dialogue, character development and, occasionally, even characters, he’s never made a film where he ignored all of these things completely. And that’s all that …

‘Like Father, Like Son,’ reviewed by Marshall Fine

HollywoodandFine.com Hirokazu Koreeda’s “Like Father, Like Son” is a delicate but daunting tale, one whose quietly self-contained story manages to churn great waves of emotional complexity. The set-up is a popular literary and cinematic plot contrivance: the switched-at-birth trope. But it is acted out in movingly stark relief in this …

‘Ride Along,’ reviewed by Marshall Fine

HollywoodandFine.com It’s easy to understand what they’re going for in the odd-couple action-comedy “Ride Along.” It’s the classic comedy-team set-up of the tough, cynical straight man and the big-hearted stooge. Whether it was Laurel & Hardy, Abbott & Costello, Hope & Crosby, Martin & Lewis – or such modern attempts …

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