‘Charlie Countryman,’ reviewed by Marshall Fine

HollywoodandFine.com Fredrik Bond’s “Charlie Countryman” is an intriguing directorial debut: a blend of the madcap and the maniacal, a movie that mixes tones in ways that shouldn’t work but do. In that sense, it calls to mind a couple of other films: Martin Scorsese’s “After Hours” and Jonathan Demme’s “Something …

‘The Wind Rises,’ reviewed by Marshall Fine

HollywoodandFine.com Hayao Miyazaki has been a critical darling as an animator almost since his films started being imported to the U.S. He’s been hailed as a master and even given an Oscar for “Spirited Away.” Having announced his retirement, he’s made one final feature: “The Wind Rises,” which is getting …

‘The Armstrong Lie,’ reviewed by Marshall Fine

HollywoodandFine.com The story is right there in the title of Alex Gibney’s furious new documentary: “The Armstrong Lie.” Gibney, as probing a documentarian as is working today, is obviously not the only person who’s angry at Lance Armstrong. The seven-time Tour de France victor disappointed millions of fans by routinely …

‘Thor: The Dark World,’ reviewed by Marshall Fine

HollywoodandFine.com Kenneth Branagh’s “Thor” had a certain playfulness that pitted the ultra-serious world of Asgard, land of the Norse gods, against 21st-century USA. Now director Alan Taylor has taken the reins of the franchise and, with “Thor: The Dark World,” drains the fun from it. Instead, he focuses on this …

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