‘Aftershock,’ reviewed by Marshall Fine

HollywoodandFine.com Having made his name with the kind of horror films that inspired the term “torture-porn,” producer-writer Eli Roth tries to show that there are other tricks up his sleeve with “Aftershock.” Think of it as a 1970s’ disaster movie, spiked with 21st-century horror effects. Irwin Allen meets Robert Rodriguez. …

‘Stories We Tell,’ reviewed by Marshall Fine

HollywoodandFine.com Sarah Polley’s “Stories We Tell” is one of the year’s best films: funny, moving, thought-provoking – and so personal that it strikes universal chords. While critics often score indulgent filmmakers by referring to their efforts as “home movies,” Polley has turned that insult on its head. She takes her …

‘Love Is All You Need,’ reviewed by Marshall Fine

HollywoodandFine.com “Love Is All You Need” is an unexpectedly upbeat film from the chronically downbeat Susanne Bier – if you can use upbeat to describe a romance between a cancer survivor and a still-grieving widower. Labeling this film a romantic comedy is probably a mistake; romantic dramedy is more like …

‘Midnight’s Children,’ reviewed by Marshall Fine

HollywoodandFine.com Though a bit literal for a film that traffics in magical realism, Deepa Mehta’s “Midnight’s Children” is both dreamy and dramatic, a fascinating view of Indian history seen through the prism of a personal – and occasionally twinned – story. Adapted by director Deepa Mehta and screenwriter Salman Rushdie …

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