‘Don’t Stop Believin’: Everyman’s Journey,’ reviewed by Marshall Fine

Hollywoodandfine.com You absolutely don’t have to be a fan of the rock group Journey to enjoy Ramona Diaz’s “Don’t Stop Believin’: Everyman’s Journey.” Because I’m not. Really. Not to put too fine a point on it, but as someone who was working as a rock critic for the first decade …

‘Phantom,’ reviewed by Marshall Fine

HollywoodandFine.com By its nature, movies set aboard submarines should come with built-in suspense. If the story is set during a war, well, there’s always the threat of attack. Even during peacetime, submarines are tense settings: the claustrophobia factor, the ever-present possibility of mechanical failure, that whole trapped-at-the-bottom of the ocean …

‘Jack the Giant Slayer,’ reviewed by Marshall Fine

HollywoodandFine.com A roiling visual extrusion rendered from computer-generated imagery, “Jack the Giant Slayer” makes you long for the days of Ray Harryhausen. With his sometimes jerky stop-motion animation that was state-of-the-art movie magic for decades, Harryhausen somehow convinced you more thoroughly that his characters were alive and had feelings and …

‘Stoker,’ reviewed by Marshall Fine

HollywoodandFine.com Chan-wook Park’s “Stoker” is audaciously, in-your-face creepy and exhilarating in a way few films have been since David Lynch’s “Blue Velvet.” Because it’s not just the creepiness – but the way Park gets you involved in his world so that you can’t look away. Written by Wentworth Miller (yeah, …

‘A Place at the Table,’ reviewed by Marshall Fine

HollywoodandFine.com You watch a documentary like “A Place At the Table” and it makes you wonder about all the people who still regard large swaths of the population as takers. The thinking is that these people aren’t able to support themselves and their families because they don’t want to. They’d …

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