‘Inequality for All,’ reviewed by Marshall Fine

HollywoodandFine.com The Republican noise machine has become such an overpowering presence in our world – manipulating the media with its messages, preying on the fear of the uninformed – that the whole idea of facts (the reality-based world, as someone in George W. Bush’s administration so dismissively put it) seems …

‘Prisoners,’ reviewed by Marshall Fine

HollywoodandFine.com Denis Villeneuve had two films at this year’s Toronto Film Festival. The better one was called “Enemy.” The one that’s getting the big studio release this week is called “Prisoners.” Being sold with an adrenalized trailer featuring the histrionics of Hugh Jackman, “Prisoners” is meant to be a thriller. …

‘C.O.G.,’ reviewed by Marshall Fine

HollywoodandFine.com Coming-of-age stories tend to be about innocents who have the veil pulled from their eyes. Which sort of describes “C.O.G.” – except for the innocent part. In fact, David (Jonathan Groff) is old enough to have finished grad school. Still, he’s lived a privileged life, relatively speaking, and longs …

‘Enough Said,’ reviewed by Marshall Fine

HollywoodandFine.com Mid-life romance – the post-divorce kind – is tough all around. You’ve been burned or disappointed or humiliated or all of the above. How do you learn to trust someone new in that way? Nicole Holofcener brings a wonderfully humane approach to the subject with “Enough Said,” a bittersweet …

‘Adore,’ reviewed by Marshall Fine

HollywoodandFine.com I’ll say this about “Adore”: It never goes where you expect it to. This Australian film, from director Anne Fontaine, was titled “Two Mothers” when it screened at Sundance in January, “The Grandmothers” when it was a short novel by Doris Lessing. “Adore” seems more descriptive, if more vague …

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