DVD Pick: Zabriskie Point (Warner Home Video) reviewed by Armond White

By Armond White In light of Michael bay’s Pain & Gain, it’s time to take another look one of its influences: Michelangelo Antonioni’s 1970 Zabriskie Point finally passes the test of time. Antonioni’s aestheticized vision of ‘60s political and spiritual turmoil was originally scoffed at as disingenuous and “unrealistic”–accusing the …

‘The Hangover Part III,’ reviewed by Marshall Fine

HollywoodandFine.com This apparently is the week for multiple unnecessary sequels, with “The Hangover Part III” going up against “Fast & Furious 6” (twice as uncalled-for) for that all-important teen-age dollar. So I’ll give the same “meh” response to “H3” as I did to “Iron Man 3”: better than the second …

‘Before Midnight,’ reviewed by Marshall Fine

HollywoodandFine.com Anyone who’s been married for any length of time should be able to enjoy Richard Linklater’s “Before Midnight,” if squirming in your seat can be considered a form of enjoyment. The third in a trilogy that began with “Before Sunrise” (1995) and continued with “Before Sunset’ (2004), this film …

‘Fast & Furious 6,’ reviewed by Marshall Fine

HollywoodandFine.com Here’s the nicest thing I can say about “Fast & Furious 6”: It’s not in 3D. That’s apparently the only restraint that the makers of this high-end piece of cinema junk-food indulged in. Otherwise, as exercises in preposterous mayhem go, “Fast & Furious 6” is, well, preposterous. And full …

‘We Steal Secrets: The Story of Wikileaks,’ reviewed by Marshall Fine

HollywoodandFine.com Other documentarians may be more famous than Oscar-winner Alex Gibney, but there’s no one working right now who afflicts the comfortable with more energy and pointedness than Gibney. “We Steal Secrets: The Story of Wikileaks” is Gibney’s second documentary in less than a year, after the upsetting and revealing …

‘Black Rock,’ reviewed by Marshall Fine

HollywoodandFine.com Having broken through as a filmmaker with the intriguing and moving “The Freebie,” actress Katie Aselton suffers the sophomore slump with her second film as a director, “Black Rock.” Written by her husband, Mark Duplass, “Black Rock” is meant to be a “Deliverance”-style thriller, a girls-vs.-boys tale set on …

‘Star Trek Into Darkness,’ reviewed by Marshall Fine

HollywoodandFine.com The conventional wisdom about the “Star Trek” movies starring the cast of the original TV show was that the even-numbered films were the good ones and the odd-numbered ones kind of sucked. That began to change when the “Star Trek: The Next Generation” movies kicked in; most of them …

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