‘Red Flag,’ ‘Rubberneck,’ reviewed by Marshall Fine

HollywoodandFine.com It’s rare that a filmmaker has more than one film out in a single year, unless they’re either making both features and documentaries – or they’re Steven Soderbergh. But Alex Karpovsky actually has two films out the same day: “Red Flag” and “Rubberneck.” They’re being released as a double-feature …

‘A Good Day to Die Hard,’ reviewed by Marshall Fine

HollywoodandFine.com According to box-office pundits, “A Good Day to Die Hard” (on further reference: “Die Hard 5”) will be the big box-office winner this holiday weekend. It will reassert Bruce Willis’ box-office magnetism. And it will do it while kicking dirt on the aspirations of his two vintage rivals, Sylvester …

Why ‘Beasts of the Southern Wild’ doesn’t deserves its Oscar nominations

HollywoodandFine.com There’s been a lot of Oscar chatter about the fact that “Argo” seems on track to win the best-picture trophy this year – despite the fact that its director, Ben Affleck, was left off the list of best-director nominees. What seems to have gone undiscussed is the elephant in …

‘Beautiful Creatures,’ reviewed by Marshall Fine

HollywoodandFine.com I’m probably the wrong demographic for “Beautiful Creatures,” the latest effort at franchise-building in the teen supernatural-romance genre. Based on the first in a series of books by Kami Garcia and Margaret Stohl, “Beautiful Creatures” (opening Thursday) hopes the “Twihards” can shift their focus from the undead to the …

‘Identity Thief,’ reviewed by Marshall Fine

HollywoodandFine.com Think of “Identity Thief” as a weak-tea reworking of “Midnight Run,” itself a long-overvalued action-comedy that was never as good its proponents would have you think. Here’s the most damning credit in the list of unremarkable credits for “Identity Thief”: The writer is Craig Mazin, whose filmography includes “Scary …

‘Warm Bodies,’ reviewed by Marshall Fine

HollywoodandFine.com Jonathan Levine’s “Warm Bodies” won the weekend box-office race for a couple of reasons. It’s a romantic comedy that works, for one thing. For another, it’s a smart reworking of “Romeo and Juliet.” And, finally, it takes the zombie genre someplace it hasn’t been before – though, at this …

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