‘Django Unchained,’ ‘ZD30’: What exactly are we arguing about?

HollywoodandFine.com When I was in college, I once interviewed the late Rupert Crosse, an African-American actor who got an Oscar nomination for a 1969 film called “The Reivers,” whose star was Steve McQueen. If I’d known then that I would, 40 years later, write a book about John Cassavetes (in …

‘Girls Against Boys,’ reviewed by Marshall Fine

HollywoodandFine.com I found myself strangely compelled by Austin Chick’s “Girls Against Boys,” as much for what it doesn’t say as for what it does. The film starts with a flash-forward, with a young woman named Lu (Nicole LaLiberte), sexually teasing a cop (Matthew Rauch) in a bedroom, then getting him …

What now, Arnold?

HollywoodandFine.com Now that his first comeback movie has seriously bombed, what’s next for Arnold Schwarzenegger? I’m here to suggest that, in fact, “The Last Stand,” which opened to slim box office in the U.S. a couple of weeks ago, is actually a step in the right direction for the aging …

‘Knife Fight,’ reviewed by Marshall Fine

HollywoodandFine.com It’s the rare political satire that really works – if only because real politics are so much weirder and painfully amusing than anything a writer could concoct. Exhibit A: Mark Sanford, disgraced governor of South Carolina, announcing he will run for Congress (where he’ll fit right in). If finding …

‘Broken City,’ reviewed by Marshall Fine

HollywoodandFine.com Allen Hughes’ “Broken City” has the bones and perhaps even the DNA of a better, darker and more interesting film. Its tale of marital discord and political in-fighting, as well as corruption and malfeasance, could have been constructed as one of those painfully compelling tales of a good man …

‘The Last Stand,’ reviewed by Marshall Fine

HollywoodandFine.com Sometimes, all you want is a knock-down, guns-blazing approximation of an old-style western, even if it’s set in contemporary times. As a modern oater, “The Last Stand” is shamelessly entertaining. As guilty pleasures go, this one is relatively defensible. Directed by Korean émigré Kim Jee-woon, it’s a 21st-century take …

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