‘In Secret,’ reviewed by Marshall Fine

HollywoodandFine.com Love and murder – are there more crucial or basic ingredients for a good story? It’s like cooking and starting with chicken or beef stock: They are the building blocks from which the best recipes are constructed. Charlie Stratton’s “In Secret” is based on Emile Zola’s “Therese Raquin” – …

‘Winter’s Tale,’ reviewed by Marshall Fine

HollywoodandFine.com Akiva Goldsman’s track record is a spotty one, chockablock with commercially successful films full of formulaic writing and manipulatively sentimentalized emotion. Or just plain hogwash: “Batman & Robin,” anyone? Sure, he won an Oscar for Ron Howard’s “A Beautiful Mind,” as middlebrow a choice as you could get in …

‘The Monuments Men,’ reviewed by Marshall Fine

HollywoodandFine.com Having been mentioned as an Oscar contender for 2013, George Clooney’s “The Monuments Men” was abruptly bumped from awards season to this week because, according to the press release, Clooney needed more time to finish it. So its release was moved to February, a month whose releases are seldom …

‘Tim’s Vermeer,’ reviewed by Marshall Fine

HollywoodandFine.com Penn and Teller’s “Tim’s Vermeer” is like a cinematic magic trick, one that unveils itself over the course of roughly 90 minutes – and encompasses the years it took Tim Jenison to work the illusion. Except it’s not an illusion. Jenison is an inventor who made his fortune creating …

‘At Middleton,’ reviewed by Marshall Fine

HollywoodandFine.com Adam Rodgers’ “At Middleton” is that rarity: a romantic comedy that manages to surprise by subverting the formula and coming up with something fresh. Rodgers and cowriter Glenn German create two pairs of opposites, then mix and match them in a story about parents taking their children to tour …

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