‘Hank: Five Years from the Brink,’ reviewed by Marshall Fine

HollywoodandFine.com Almost  from the moment the economy collapsed during the 2008 presidential campaign, there has been a war to control the narrative of what led to the disaster – nearly a catastrophe – that almost brought down the nation’s (and the world’s) economy. One of the earliest was Charles Ferguson’s …

‘Visitors,’ reviewed by Marshall Fine

HollywoodandFine.com Godfrey Reggio makes the kind of movies I think Terrence Malick longs to make. While Malick has already rejected story and plot, as well as dialogue, character development and, occasionally, even characters, he’s never made a film where he ignored all of these things completely. And that’s all that …

‘Like Father, Like Son,’ reviewed by Marshall Fine

HollywoodandFine.com Hirokazu Koreeda’s “Like Father, Like Son” is a delicate but daunting tale, one whose quietly self-contained story manages to churn great waves of emotional complexity. The set-up is a popular literary and cinematic plot contrivance: the switched-at-birth trope. But it is acted out in movingly stark relief in this …

‘Ride Along,’ reviewed by Marshall Fine

HollywoodandFine.com It’s easy to understand what they’re going for in the odd-couple action-comedy “Ride Along.” It’s the classic comedy-team set-up of the tough, cynical straight man and the big-hearted stooge. Whether it was Laurel & Hardy, Abbott & Costello, Hope & Crosby, Martin & Lewis – or such modern attempts …

‘Will You Still Love Me Tomorrow?’, reviewed by Marshall Fine

HollywoodandFine.com Arvin Chen’s “Will You Still Love Me Tomorrow?” examines several different kinds of love in a gentle, engaging tale of two couples, each struggling at a crucial point in their relationship. Set in Taiwan, the film begins with Mandy (Kimi Hsia), who is about to marry San-San (Stone), a …

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