What’s In a Name? and The Past reviewed by Armond White for CityArts

By Armond White Two Parisian domestic tales take different approaches to modern morality. In the comedy What’s In a Name? several couples clash over dinner about the connotations behind the proposed name for an expected child. In the drama The Past, a love triangle falls apart when a woman and …

“BEST FILM OF THE YEAR:” American Hustle reviewed by Armond White for CityArts

By Armond White David O. Russell goes to the 1970s to satirize contemporary Americana in American Hustle. If the title sounds both plain and pretentious, it takes a sense of humor like Russell’s to get over those hurdles and he does it with his new stock company of actors–great talents …

‘Anchorman 2: The Legend Continues,’ reviewed by Marshall Fine

HollywoodandFine.com The only way I can imagine having fun watching “Anchorman 2: The Legend Continues” is if I were drunk enough to be really funny myself, watching it with a group of friends on TV in the comfort of my living room – “Mystery Science Theater 3000”-style. Even then, it …

‘Her,’ reviewed by Marshall Fine

HollywoodandFine.com Spike Jonze’s “Her” is the year’s most audacious trick: a film whose best (and longest) moments are simply dialogue between two lovers, figuring out their feelings about themselves and each other. If that sounds like “Before Midnight” or either of the other Richard Linklater talking-lovers movies, well, OK – …

Inside Llewyn Davis reviewed by Armond White for CityArts

By Armond White When an apparition of Bob Dylan appears in Inside Llewyn Davis, it underscores the Coen Brothers’ abiding ambivalence about their Jewishness. Dylan, the oracular pop-star-prophet -outsider from Minnesota (like the Coens) represents an advance on mainstream culture and power that troubles the Coen Brothers’ fascination with American …

Nebraska redistricted by Armond White for CityArts

By Armond White By shooting his new film Nebraska in black and white, writer-director Alexander Payne reveals his phoniness. The contemporary-set story about an old man, Woody Grant (Bruce Dern) who travels from Montana to claim a Publisher’s Clearing House prize in the neighboring state Nebraska, has that stark, sad …

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