Critic’s Pick of the Week: Caught in the Web reviewed by Armond White for CityArts

By Armond White Unlike David Fincher’s The Social Network, which burnished the legend of Mark Zuckerberg founding Facebook while glamourizing the modern derangement of social values and personal relations, Chen Kaige gets directly to the social, spiritual point in his masterly new film Caught in the Web. Chen balances a …

‘Homefront,’ reviewed by Marshall Fine

HollywoodandFine.com Is Jason Statham the new Sylvester Stallone? I’d always imagined him as the new Steve McQueen. But Stallone took this script down off the shelf, taking credits as writer and producer on “Homefront” for his “Expendables” costar. It’s not hard to imagine it with Stallone playing the central character, …

‘Mandela: Long Walk to Freedom,’ reviewed by Marshall Fine

HollywoodandFine.com There were a handful of towering figures in social-justice movements of the 20th century – people who spearheaded a liberation movement in the name of a principle, at great cost to themselves. Gandhi comes to mind, along with Martin Luther King Jr. But my list would be topped by …

The Hunger Games: Catching Fire burnt by Armond White for CityArts

By Armond White Funny how The Hunger Games franchise pretends to deal with political demogoguery but really just gives audiences dumbed-down Bread-and-Circuses–the standard millennial trap. By the time Philip Seymour Hoffman enters The Hunger Games: Catching Fire with his usual post-Oscar smugness, viewers are so worn out from the brackish …

‘Frozen,’ reviewed by Marshall Fine

HollywoodandFine.com Disney has had such a long winning streak with its animated comedies and musicals that it’s almost possible to forgive the problems with “Frozen,” which opens in Los Angeles today and in wide release on Nov. 27. Indeed, there’s not a lot wrong with “Frozen”: The animation is state-of-the-art, …

‘The Hunger Games: Catching Fire,’ reviewed by Marshall Fine

HollywoodandFine.com There’s not much to say about “The Hunger Games: Catching Fire,” because it does what it’s supposed to. The sequel to last year’s hit, this second installment of what was a trilogy of books (but which will be a quartet of films) is directed by Francis Lawrence (the original …

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