‘The Spectacular Now,’ reviewed by Marshall Fine

HollywoodandFine.com It’s the rare teen-ager who can see beyond tomorrow. While they may worry about the future, they tend to live in the moment because, among other things, they feel immortal and most have little evidence to the contrary. Certainly that’s the case with Sutter Keely (Miles Teller), the high-school …

Wolverine and AMC Empire venue reviewed by Armond White for CityArts

By Armond White As I sat down at the AMC Empire Cinemas in Times Square for that evening’s all-media screening, I could smell a dead rat–and then The Wolverine confirmed it. It wasn’t the first time that an all-media screening took place in that filthy, Crossroads-of-Consumerism flea pit (very recently …

Dud of the Week: Blue Jasmine reviewed by Armond White for CityArts

By Armond White Cate Blanchett’s singularly obnoxious character in Blue Jasmine blocks our empathy. First because she’s such a phony–having changed her name from the mundane Jeanette to the pretentious Jasmine (“My mother’s favorite flower”), next because she embodies superciliousness (comically indifferent to everyone’s interest besides her own love of …

Dud of the Week: Only God Forgives reviewed by Armond White for CityArts

Only God Forgives is a decadent drag act Ryan Gosling plays DiCaprio to Nicolas Winding Refn’s Scorsese–acting out an adolescent idea of manliness in Drive and now Only God Forgives. But sulky Gosling lacks DiCaprio’s hammy brio just as Refn lacks Scorsese’s flamboyance, so he mopes and broods; practicing a …

Critic’s Pick: ‘Only God Forgives’ reviewed by Thelma Adams

Must-See Movies Beyond the Blockbusters We’ve all heard the stories of the Cannes Film Festival audience booing the premiere of “Only God Forgives,” Nicolas Winding Refn’s first film after “Drive” with Ryan Gosling back front and center. Not very forgiving, huh? Those who are less judgmental, or less enamored of …

Computer Chess reviewed by Armond White for CityArts

By Armond White Whatever else is going on in Andrew Bujalski’s Computer Chess (now playing at Film Forum), it is also–unmistakably–a satire on film culture’s extinction. The weird weekend gathering of chess and computer geeks at an early 80s conference (they’re testing whether a machine can outplay a human being) …

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