‘Killing Season,’ reviewed by Marshall Fine

HollywoodandFine.com For years, I’ve read about the so-called “Black List” of screenplays: allegedly great scripts which, for some reason, Hollywood ignores because it would rather make dumb crap like “The Lone Ranger.” Then I see a movie like “Killing Season,” written by Evan Daugherty, a script billed as one of …

Museum Hours, Upstream Color and Dziga Vertov by Armond White for CityArts

By Armond White Go back to Dziga Vertov’s 1929 Man with a Movie Camera, the still striking montage experiment (available on Kino Lorber Home Video) to find the root concept of two recent art movies, Jem Cohen’s Museum Hours and Shane Carruth’s Upstream Color. Museum Hours is eccentric for an …

Dud of the week: The Heat reviewed by Armond White for CityArts

By Armond White Pity Sandra Bullock rehashing her straight-laced shtick from many years and one Oscar ago as FBI agent Ashburn in The Heat. Instead of graduating to mature, sophisticated comic fare, the likable Bullock falls victim to Hollywood’s box-office sexism, the New McCarthyism. Bullock’s desperate, unfunny routines in The …

Critic’s Pick of the Week: Byzantium reviewed by Armond White for CityArts

By Armond White One story isn’t enough for Neil Jordan. Byzantium is full of twists and turns, memories and revelations that zigzag through the tortured history of men, women, birth, death, sexuality as well as the history of Irish and English literature and Catholic guilt. Two female vampires, teenage Eleanor …

How Whoopi Goldberg revealed the inspiration for Eddie Murphy’s Drag Granny and Tyler Perry’s Madea

One of the many interesting discoveries in Whoopi Goldberg’s Moms Mabley biopic, “I’ve Got Somethin’ to Tell You,” which I saw at the Provincetown Town Hall with John Waters in the audience, was Eddie Murphy’s on-camera confession. He said that he fashioned his sassy black grandmother in “The Nutty Professor” …

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